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Andrew Lloyd Webber

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And The Money Kept Rolling In And Out By Christopher Neil

Song meaning of And the Money Kept Rolling In (And Out) by Christopher Neil

Andrew Lloyd Webber

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Song meaning for And the Money Kept Rolling In (And Out) by Christopher Neil

"And the Money Kept Rolling In (And Out)" from the musical "Evita" by Andrew Lloyd Webber tells the story of Eva Perón, the iconic First Lady of Argentina, and her charitable foundation. The song highlights the impact of Eva's fundraising efforts and the controversy surrounding the distribution of the funds.

The lyrics depict Eva as a charismatic figure who effortlessly attracts donations from various sources. The manager of the foundation praises Eva's ability to gather money from all sides, emphasizing her generosity and wide-reaching influence. Lines like "Eva's pretty hands reached out and they reached wide" and "Never been a fund like the Foundation Eva Perón" showcase Eva's appeal and the success of her fundraising endeavors.

However, the song also addresses the skepticism and criticism that arise when money is involved. The manager acknowledges that some may question where the funds are going, but dismisses these concerns by emphasizing the positive impact the money is having on the less fortunate. Lines such as "Now cynics claim a little of the cash has gone astray" and "Accountants only slow things down, figures get in the way" suggest that the focus should be on the good deeds being done rather than nitpicking accounting details.

Overall, "And the Money Kept Rolling In (And Out)" celebrates Eva Perón's ability to mobilize resources for the benefit of the needy, while also acknowledging the complexities and controversies that can arise when dealing with charitable funds. The song captures the essence of Eva's larger-than-life persona and her dedication to helping those in need, despite the challenges and criticisms she faced.

Funny song meaning for And the Money Kept Rolling In (And Out) by Christopher Neil

Oh, honey, let me break it down for you. So, apparently, we've got this Eva Perón lady who's just casually raking in the dough from every direction like it's nobody's business. Her pretty little hands are out there reaching wide, probably snagging all that cash with some killer manicured nails. Now, some haters might say that maybe some of that money went missing, but hey, who cares when you're bringing in the big bucks, right? Forget about keeping proper books or having accountants slow things down with their pesky numbers – just bask in the glory of all those happy, grateful looks! Because when the money keeps rolling in and out like it's on a wild rollercoaster, who has time for accountability? Eva Perón is living her best life, and we're all just here for the ride, darling! So keep on rolling, rolling, rolling, and let the cash flow like glitter at a drag queen convention! Eva, you fierce money magnet, you!

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A Cinema in Buenos Aires, 26 July 1952 by Andrew Lloyd Webber

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A Cinema in Buenos Aires, 26 July 1952 by Original Broadway Cast of Evita

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A Cinema in Buenos Aires, July 26, 1952 by Various Artists

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1963 by Andrew Lloyd Webber

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