Song meaning of A Good Bridge to Never Cross Until There's No Doubt That He's Dead by Car Seat Headrest

"A Good Bridge to Never Cross Until There's No Doubt That He's Dead" by Car Seat Headrest is a song that delves into themes of self-reflection, inner turmoil, and the complexities of human relationships. The repetitive mention of the scar on the ankle serves as a metaphor for a lingering emotional wound or trauma that the narrator carries with them. The lyric "Looks like a sideways numeral one, and he's trying to be infinity, but it doesn't know, only eight is allowed to do that" suggests a sense of inadequacy or feeling out of place, as if the narrator is trying to reach for something unattainable.

The chorus, "A good bridge to never cross until there's no doubt that he's dead," can be interpreted as a metaphor for boundaries and self-preservation. It speaks to the idea of avoiding toxic or harmful situations until it is absolutely clear that they are no longer a threat. The references to encounters with different individuals, such as "the man who punched me" and "the man who loves me," hint at the complexities of human interactions and the emotional baggage that comes with them.

The repetition of the phrase "Give him some time, give him two weeks to go up there" throughout the song could symbolize a plea for patience and understanding, both towards oneself and others. The use of the refrain "Ooh, na-na-na-na-na-na" adds a sense of urgency and emotional intensity to the song, emphasizing the inner turmoil and conflict that the narrator is experiencing.

Overall, "A Good Bridge to Never Cross Until There's No Doubt That He's Dead" is a poignant and introspective track that explores the intricacies of human emotions and relationships, while also touching on themes of self-preservation and setting boundaries. The cryptic lyrics and repetitive structure create a sense of unease and tension, drawing the listener into the narrator's inner world of emotional complexity and self-discovery.