Song meaning for Big House by Death Grips
"Big House" by Death Grips is a song that delves into the overwhelming and suffocating feeling of being consumed by the city of Los Angeles. The repeated chorus of "L.A. creepin' under my skin" emphasizes the invasive and insidious nature of the city, as if it is seeping into the very core of the narrator's being. This could be interpreted as a metaphor for the pressures and influences of urban life taking a toll on one's mental state.
In the first verse, the lyrics "Cut off eyelid, still I can't see" and "Try to realize before dead weight" suggest a sense of blindness and impending doom, as the narrator struggles to come to terms with their reality before it's too late. The imagery of being in a "big house" could symbolize feeling trapped or confined within the vastness of the city, unable to escape or find a way out.
The second verse further explores the feeling of being lost and disconnected, with lines like "Lost my phone man shit's all bad" and "Alone can't cut off both my hands" conveying a sense of isolation and helplessness. The absence of familiar landmarks or resources, such as a phone or a map, adds to the disorientation and confusion experienced by the narrator.
Overall, "Big House" by Death Grips captures the disorienting and oppressive atmosphere of urban life, particularly in the context of Los Angeles. The lyrics paint a picture of a person struggling to navigate their surroundings and maintain their sense of self in the face of overwhelming external forces.
Funny song meaning for Big House by Death Grips
Ah, Death Grips, the masters of lyrical ambiguity! In "Big House," they're not talking about your typical luxurious mansion but rather the mental prison that is Los Angeles, or as they call it, L.A. A place where even the freeways have more drama than a soap opera. With lines like "One way ticket to big island, cut off eyelid, still I can't see," they're basically saying that in L.A., you can lose sight of reality SO hard that even your eyeballs go on a vacation. And when they mention being in the "fuckin' big house," they're not referring to jail, but rather the metaphorical isolation and disorientation that comes with trying to navigate through the chaotic jungle that is L.A. So, buckle up, because Death Grips is taking you on a wild ride through the twisted maze of their minds, and trust me, you're gonna need a compass and a few sanity pills to make it out in one piece.
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