Song meaning of Big House by Death Grips

"Big House" by Death Grips is a song that delves into the overwhelming and suffocating feeling of being consumed by the city of Los Angeles. The repeated chorus of "L.A. creepin' under my skin" emphasizes the invasive and insidious nature of the city, as if it is seeping into the very core of the narrator's being. This could be interpreted as a metaphor for the pressures and influences of urban life taking a toll on one's mental state.

In the first verse, the lyrics "Cut off eyelid, still I can't see" and "Try to realize before dead weight" suggest a sense of blindness and impending doom, as the narrator struggles to come to terms with their reality before it's too late. The imagery of being in a "big house" could symbolize feeling trapped or confined within the vastness of the city, unable to escape or find a way out.

The second verse further explores the feeling of being lost and disconnected, with lines like "Lost my phone man shit's all bad" and "Alone can't cut off both my hands" conveying a sense of isolation and helplessness. The absence of familiar landmarks or resources, such as a phone or a map, adds to the disorientation and confusion experienced by the narrator.

Overall, "Big House" by Death Grips captures the disorienting and oppressive atmosphere of urban life, particularly in the context of Los Angeles. The lyrics paint a picture of a person struggling to navigate their surroundings and maintain their sense of self in the face of overwhelming external forces.