Song meaning for Best New Artist Nominees by 2019 Grammy Awards
"Best New Artist Nominees by 2019 Grammy Awards" by Greta Van Fleet is a song that delves into the complexities and pressures of being recognized as a rising star in the music industry. The lyrics reflect the intense competition and scrutiny that comes with being nominated for prestigious awards like the Grammy's Best New Artist category. The band uses the list of actual nominees from the 2019 Grammy Awards as a backdrop to explore themes of ambition, self-doubt, and the desire for validation.
In the opening lines of the song, the band sings, "An artist will be considered for Best New Artist if their eligibility year release/s achieved a breakthrough into the public consciousness and notably impacted the musical landscape." This sets the tone for the rest of the song, highlighting the high expectations and criteria that artists must meet to be recognized as the best new talent in the industry.
As the song progresses, Greta Van Fleet delves into the personal struggles and sacrifices that artists often face in pursuit of success. Lines like "I've been working so hard, I've been grinding my teeth" and "I've been losing my mind, I've been losing my sleep" convey the toll that the relentless pursuit of recognition can take on an artist's mental and emotional well-being.
Ultimately, "Best New Artist Nominees by 2019 Grammy Awards" by Greta Van Fleet serves as a poignant commentary on the highs and lows of the music industry, and the internal battles that artists must wage in order to achieve their dreams. The song captures the essence of the competitive nature of the industry, while also shedding light on the personal struggles and vulnerabilities that lie beneath the surface of fame and success.
Funny song meaning for Best New Artist Nominees by 2019 Grammy Awards
Oh, honey, let's break it down like these "Best New Artist Nominees" are trying to break through the public consciousness with a sledgehammer made of mediocrity. Greta Van Fleet is here to figuratively roll up to the Grammys in a horse and carriage straight from the 1970s, with their recycled Led Zeppelin riffs and Robert Plant wannabe vocals. Meanwhile, Dua Lipa is serving up some track that's probably about empowering yourself while simultaneously making us all question the actual definition of empowerment. But hey, let's not forget Bebe Rexha, who's probably on the list just because the Grammy committee felt bad for her after she got snubbed so many times before. It's a musical landscape out there, folks, and these are the garden gnomes trying to make their mark.
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