Song meaning of BAGDAD (Cap.7: Liturgia) by ROSALÍA

The song "BAGDAD (Cap.7: Liturgia)" by ROSALÍA delves into themes of inner turmoil, self-reflection, and spiritual redemption. The lyrics paint a vivid picture of a woman, possibly a dancer, in a place called Bagdad, who is going through a personal struggle. The repetition of the refrain "Y se va a quemar, si sigue ahí" (And she will burn if she stays there) sets a tone of impending danger or self-destruction if the protagonist does not make a change.

In the first verse, the woman is described as being beautiful but sad, sitting alone and clapping her hands in a rhythmic manner as if in a trance. The lines "Solita en el infierno, en el infierno está atrapa'" (Alone in hell, trapped in hell) suggest a sense of isolation and emotional imprisonment. The act of clapping her hands in time with bulerías, a flamenco style, can be seen as a form of prayer or seeking solace through music and movement.

The chorus, with its repetitive instructions to "Junta las palmas y las separa" (Clap your hands together and then apart), could symbolize a cycle of unity and separation, perhaps reflecting the protagonist's internal struggle to find balance and release from her inner demons.

The second verse introduces the idea of an angel who has fallen and carries a mark on their soul, possibly alluding to the woman's own struggles and past traumas. The lines "Prenda'ita de sus males, que Dios tendrá que cobrarle" (Captive of her evils, that God will have to collect) hint at a reckoning or a need for spiritual cleansing and forgiveness.

Overall, "BAGDAD (Cap.7: Liturgia)" by ROSALÍA explores themes of emotional turmoil, seeking redemption, and the power of music and ritual in finding inner peace. The song's haunting melody and evocative lyrics create a poignant narrative of a woman's journey towards self-discovery and spiritual liberation.