Song meaning of Cemetry Gates (Live in Boston) by The Smiths
Song meaning for Cemetry Gates (Live in Boston) by The Smiths
"Cemetry Gates" by The Smiths is a melancholic yet thought-provoking song that delves into themes of mortality, intellectualism, and the importance of originality in art. The song begins with the chorus, where the protagonist meets someone at the cemetery gates on a dreaded sunny day. The mention of Keats and Yeats being on the other person's side while Wilde is on the protagonist's side suggests a shared admiration for these literary figures, but also a sense of isolation and difference.
In the first verse, the protagonist and the other person enter the cemetery and read the gravestones, reflecting on the lives of those who have passed. The lyrics "All those people, all those lives, where are they now? With-a loves and hates and passions just like mine" express a sense of empathy and connection to the deceased, highlighting the universal experiences of love, hate, and passion. The line "Seems so unfair, I want to cry" captures the emotional weight of mortality and the feeling of injustice that comes with the inevitability of death.
The second verse takes a more critical tone, addressing the issue of plagiarism in art. The lyrics caution against using borrowed words and ideas, emphasizing the importance of originality. The line "Don't plagiarise, don't take 'on loan'" suggests that true artistic expression should come from within and not be a mere imitation of others. The mention of someone with a big nose who knows and trips you up when you fall represents the critics and cynics who revel in others' failures.
The chorus is repeated, with the protagonist suggesting that on a dreaded sunny day, they should go where they are happy and meet at the cemetery gates. The mention of Keats and Yeats being on the other person's side while the protagonist has Wilde on their side implies a clash of literary influences and perspectives. The line "but you lose, Whale blubber Wilde is on mine" suggests that the protagonist finds solace and connection in the works of Oscar Wilde, who may be seen as an unconventional and misunderstood figure.
Overall, "Cemetry Gates" explores the complexities of life, death, and artistic integrity. It encourages the listener to reflect on their own mortality, the importance of originality in creative pursuits, and the power of literature to provide solace and understanding in the face of existential questions.
Funny song meaning for Cemetry Gates (Live in Boston) by The Smiths
Ah, "Cemetery Gates" by The Smiths, what a lovely little ditty. So, we begin with a dreaded sunny day, because let's face it, sunshine is dreadful when you're wandering around cemeteries. And there you are, meeting someone at the cemetery gates, because clearly, nothing says romance like hanging out with dead folks. And hey, look who's on your side, it's Keats and Yeats, two dead poets just chillin' with you. Meanwhile, I've got Wilde on my side, because why not?
Then we venture inside and start reading gravestones, pondering the lives of those who have come and gone. And oh, how unfair it all seems. You feel like crying, but let's be real here, tears won't do much for anyone. And then you start spouting off some fancy poetic nonsense about the sun saluting the dawn, claiming it as your own unique thought. But guess what, my friend? This has all been said before, a hundred times or maybe a bit less or more. Sorry to burst your poetic bubble.
But oh no, the drama doesn't end there! Morrissey, or whoever's singing this, goes on a rant about plagiarism. Apparently, if you're going to write prose or poetry, you better make sure the words are your own. Don't go borrowing or stealing from others because there's always some big-nosed know-it-all waiting to trip you up and laugh when you fall. And you, my dear friend, who claim to be so original, are caught quoting some text that was ripped off from some dizzy whore back in 1804. How scandalous!
In the end, let's escape this dreaded sunny day and go where we're actually happy, but of course, that place is still a cemetery because we have some strange fascination with dead people. Keats and Yeats continue to be on your side, but your poetic rival is none other than Whale blubber Wilde himself, who's on my side. Sorry, mate, but I've got the heavyweight champion of dead poets on my team.
So, there you have it, my funny interpretation of "Cemetery Gates" by The Smiths. Thank you for appreciating my impeccable taste. Now let's go find a graveyard to frolic in, shall we?
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