Song meaning for 30 Hours (Demo 2) by Kanye West
"30 Hours (Demo 2)" by Kanye West is a reflective and introspective track that delves into themes of relationships, self-discovery, and personal growth. The song opens with the chorus repeating the phrase "College dorm sweetheart, sweetheart we are," which sets the nostalgic tone of reminiscing about past experiences and relationships. Kanye West reflects on his past actions and decisions, acknowledging the truth and consequences of his choices.
In the first verse, Kanye touches on the idea of putting in effort and expecting results, with the line "What you get out, some would put in." He also mentions being in an open relationship and experimenting with unconventional ideas, such as working on music for Nas while exploring his own artistic vision. This verse showcases Kanye's willingness to push boundaries and think outside the box in both his personal and professional life.
The second verse delves deeper into Kanye's thoughts on religion and spirituality, with references to poets writing the Bible and questioning the concept of idolatry. The line "In the temple, I was wrinkly as a Shar-Pei" suggests a sense of vulnerability and imperfection in his spiritual journey. Kanye also asserts his confidence and authority, proclaiming himself as a "dictator" in contrast to those who doubt or criticize him.
Overall, "30 Hours (Demo 2)" is a complex and layered track that showcases Kanye West's introspective lyricism and willingness to explore deep themes in his music. The song invites listeners to reflect on their own past experiences and relationships while contemplating the complexities of personal growth and self-discovery.
Funny song meaning for 30 Hours (Demo 2) by Kanye West
Oh, Kanye, the master of wordplay and random ramblings. In "30 Hours (Demo 2)", he takes us on a journey through his college dorm days as a self-proclaimed sweetheart, painting a picture of flattery being sold separately and his bright ideas shining through like a diamond in the rough. From claiming to be under some lazy sh*t to doing beats for Nas on some Yeezy sh*t, Kanye bounces from open relationships to poets writing the Bible. He boldly declares himself as the dictator and throws shade at haters who ain't running anything, leaving us all wondering if he needs a sharpie to underline the fact that he's the (self-proclaimed) king of the world. Kanye's lyrical rollercoaster never fails to entertain, even if we're left scratching our heads wondering if we've had one too many Sharpies ourselves.
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